Remeber, the full articles can be seen in the interviews section.

The Question:

“What advice would you give to would be artists/designers?”

“Make the most of your time at art school and take all possibilties you can take to spend some of it abroad (if possible). I often feel I didn’t make the most of my time studying”

- Mattias Adolfsson

“Don’t ever compromise your vision.”

- Yeva Babayan

“Keep your mind creative, love and take an interest in all around you.”

- Tung Le

“Make sure you believe strongly in your own work and do just what the worlds greatest living artist told me to do… “Trust yourself”.”

- Guy Sargent

“Let it become your life, be passionate, work harder than the next guy. Oh and use the Internet, it has become a second university for me, get involved with forums, visit ted.com, write your own blog, you will learn a lot, all for free.”

- Jase Cooper

“Do something else…” (very funny guys!)

- Space Invaders Design Group

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“Don’t be afraid of anything. More impudence and freedom in creation. The more you’ll try the better the result is.”

- Alexander Ovchinnikov

“be original and believe in yourself”.

- Abhijeet Kuma

“Reach beyond your grasp.”

- Matt Huynh

“Remember to embrace your personal experiences and your own unique and fresh design vision”

- Yoann Henry Yvon

“In the words of German techno group Scooter: It’s nice to be important, but it’s more important to be nice.”

- Cecilia Levy

“If you have an ace up your sleeve, just don’t keep it long. If you keep it for too long, it’ll go rotten. Just show everything you have to people, listen to what they say. You’ll be able to create something much better, to learn how to show your ideas to people, and to make your community.”

- Mac Funamizu

“Get out there and get your work seen by as many people as possible. You should never be afraid to show people your work. You maybe the best designer/illustrator in the world, but if no one sees your work, you won’t get commissioned”

- Rod Hunt

“It depends on what you want your career to be and what kind of person you are. If you wanna work at Disney you must bend your mind to the “Disney way of life”, I suppose. From my point of view I’d suggest: do your best to develop YOUR art and style. Nowadays it’s very difficult to be completely original but strive to put your mark in your work. Client work tend to leave you with little or no time, but try to keep some to do new experiments with your art.”

- Leonardo Sala

“..believe in the work you do, and make the best they can in everything you do. That’s the best attitude to have in relation with all areas.”

- Luis Porem

“Get inspired. Have fun. Keep it current. Get a Mac. Go probono. I can’t preach this any louder. Young designers get so mad when you tell them you gotta start doing some freebies. Do it because you love it. They all think their work is worth so much money already haha. I started emailing people if I could do a site for them for free. I just loved designing and growing my skills. It takes a lot of hard work and dedication to be a good designer. Also have lots of resources. I had a teacher (who was once the creative director for MTV) tell me that you are only as good as your resources. Pretty much sums that up.”

- Dann Petty

“I started my own firm at a very young age. sometimes I wish I had worked for some of the architects that I admire prior to going out on my own.”

- Jeff Kovel

Photographer, Guy Sargent from West London gives us a taste of his amazing skill to capture the stillness of a landscape as well as the splendour and grandness of some of today’s architecture. ‘What lies beneath the surface’ displays, from across Europe, landscapes as their creator intended – natural, untamed and free from the impact of humankind. From the following interview you will begin to get a feel for Sargent’s passion for his profession, “There are elements of romanticism, the spiritual & political in this work. In a way I just want to say as much as I can using as little information as possible.”
Guy Sargent has an uncanny knack for capturing feeling in his work; whether it be the quiet calmness and serenity of an undisturbed,  rocky English shore – or the humbled, awe inspired feeling when one stands in the shadow of the Grande Arche…

Tell us a little about yourself, where are you from and where are you living now?

Born in 1965 I’m originally from Hertfordshire in the UK but now live in West London.

At what age did your interest in photography develop? (Pardon the pun)

At age 14 I was given a Kodak EK6 instant film camera for my birthday but I could rarely afford the film so it didn’t get much use. Later on I bought a Praktica SLR, quickly followed by black & white darkroom equipment…

What photographers/photographs have inspired you?

When it comes to inspiration I have to admit that painters play a much bigger role than photographers, Velasquez, Turner, de Hooch and others. Although I admire the work of hundreds of photographers the one that stays with me the most is Bill Brandt, his surrealist leanings and sense of detachment constantly inform me.

Did you go to a photography school or take a course in photography? Or are you self taught?

I’m completely self-taught, lots of experimentation, reading of books etc.

Once you have an understanding of the basic stuff like f-stops the camera becomes like any other tool, you just move on to the important stuff, composition, lighting, and philosophy…

Where are the majority of your photographs captured?

The photographs in my current portfolio are for the most part all taken in the UK. Others are from short trips to Paris, Venice and most recently Sicily.

What type of assignments do you prefer?

The ones that rarely, if ever happen like go and photograph anything you would like to!

I particularly liked your ‘what lies beneath the surface’ series, can you tell us the story behind this project?

In early 2006 my attitude to making photographs shifted from the mechanical/observational way of doing things and I began to introduce philosophy and a more rigorous discipline. It’s a tough one to answer fully as I am aware that my vision is changing as I seek to extend it constantly.

There are elements of romanticism, the spiritual & political in this work.

In a way I just want to say as much as I can using as little information as possible.

What is the worst thing about being a professional photographer?

I haven’t always been able to work full time as a photographer so I don’t see much bad in it.

And the best?

Being involved every day with something you love doing is priceless!

How would one go about becoming a professional photographer? Any advice for those would be photographers?

If I were young and felt strongly about it I would go to college, assist and learn all aspects of it from the commercial business side to the ever growing art side.

If I were middle aged like me I’d make sure I believed strongly in my own work and do just what the worlds greatest living artist told me to do… “Trust yourself”.

www.guysargent.com

A huge thanks to Guy from the Design Tavern – Your passion for photography is truly inspirational.