Swedish Illustrator, Mattias Adolfsson has kindly allowed us to show some of his impressive work from a series called ‘architecture.’ Adolfsson’s unique style is largely imaginative (though he does traditional works as well) and has the ability to stir memories and emotions like something straight out of a childhood dream. His sketches explore the bizarre and the dreamlike in a beautiful, intricate cartoonish way, infused with care and precision. Adolfsson can also boast one of the most popular sketch blogs on the net and has travelled the world with his work – His last exhibit in downtown Melbourne!
The thin line between concert and works of art
Barthes once wrote of the Death of the Author – the declining importance of an artist’s involvement in constructing the meaning of an artwork. In terms of modern art alone, this ‘death’ has allowed for new degrees of viewer and audience participation. Some of the best examples today, I think, are concerts and large scale performances. Thanks to countless advances in modern technology, including video screens and lighting, arenas and venues are able to be transformed into living, breathing artworks in themselves, their aim precisely to involve the audience and the viewer in ways never before thought possible.
Lightwriting From Picasso to Lichtfaktor
You may have already seen Light Writing in action, but for those who haven’t, a quick explanation-
The technique is almost 100 years ago, when Picasso (that man just loves to contribute to the art world..) decided to sketch a centaur mid-air using a torch -
The photograph was taken by Gjon Mili -
“I confronted him [Picasso] with a photograph, taken in darkness but showing a skater’s leap traced with lights attached to the skates. Picasso reacted instantly. Intrigued, he began drawing with his finger in the thin air.” They arranged to meet at a pottery in Vallauris. In the dark, after Mili fired his flash, Picasso sketched a centaur in the air -